INTERPRETATION OF SYMBOLISM IN “WIDE SARGASSO SEA” BY JEAN RHYS
Abstract
The article is devoted to the urgent problem of artistic Stylistics - the use of units depicting the symbols in the specific construction of works of art based on the stories of Jean Rhys. The article distinguishes three levels of compositional significance: the author-narrator in particular the level of what he sees and understands, the level of historical and philosophical generalizations, and the author's level of "I". The writer shows the grammatical, structural variety of symbols, the dependence of the choice of symbolic units of different expressive-stylistic colors, their functions and the ability to differ from the specific relationship of the author. Individual author's methods of using symbolic units are separated and described. The article has the parts which include symbolisms and all these parts are analyzed in the work. As the article defines the society of that time and symbolisms are used in these parts, sociological method was utilized and the influence of the lifetime problems was the reason of leveraging psychoanalytical, biographical method and historical methods.
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