HARMONY OF THEME AND IDEA IN ENGLISH AND UZBEK STORYTELLING

Abstract

The principle of transition from tradition to non-tradition is prominent in Uzbek and English storytelling. Any artistic idea is a product of a certain period. In modern Uzbek and English narratives, loneliness, sufferings, betrayal, and family quarrels that befell mankind after the war are mostly seen. Our opinion is a clear proof of the efforts of the flag-bearers of existentialism to express the depressing nature of the human spiritual world. In order to clarify the direction of the new era storytelling, comparative research, and to clarify the controversial aspects, the large-scale concise expressions led to the cunning expansion of the boundaries of artistic thinking.