SYNTHESIS OF FOLKLORE AS A SCIENTIFIC-THEORETICAL PROBLEM

Abstract

In this article, folklore synthesis, which is one of the types of artistic synthesis, is studied as a scientific-theoretical problem. In particular, relying on the theoretical and methodological sources that provide the theoretical views of world and Uzbek scientists, the interpretations of the term synthesis and the specific features of artistic synthesis are highlighted in it. In the article, the conclusions are given that interspecies synthesis, intergenre synthesis, synthesis of mythological views, synthesis processes at the level of traditions are being observed in the Uzbek poetry of the independence period, and the illumination of this aesthetic
phenomenon is becoming a leading principle.